Motherfucker is an easy show to take for an arguing match, fueled by anger, hate, and drugs; at least that’s how I read it the first time. The truth of the play unfolded for me when I realized it was really a story about how there isn't always something we can do given our circumstances; a story that shows that community is the tie that binds us, and what it looks like to love in spite of. The Motherfucker with the Hat is a call to communal action as much as it is reflection as much as it is a fond memory as much as it could be the future.
I knew I loved this play, but I wasn’t always certain why I wanted to do it. Working in and creating new community to make this show possible, and being allowed a space to try freely and imperfectly showed me that I wanted to put this show on to remind folks that: forgiveness doesn’t have to be earned, there’s not always someone to blame, we can all stretch a little farther to give a hand to our neighbor, and oftentimes loving is the bravest thing you can do.
Assistant Director: Adam Robinson
Lighting Designer: Emily Johansson
Scenic Designer: Michael Amira
Costume Designer: Michael Amira
My favorite quote from this play is "moments linked to moments" because once I sifted past the dense language, complicated relationships, and intricate puppetry work I realized that is the through-line of this piece, and the journey of these characters. Vogel wrote a compelling story that shows how the past echos into our future until we ring out a new call, if we can, and the consequences of allowing your experiences and memories to keep your life on a loop.
Director: Katie Turner
Assistant Director: Michael Amira
Scenic Design: Isabel Simoes deCarvalho
Costume Design: Courtney Ohnstad
Puppet Design: Courtney Ohnstad
Lighting Design: Sierra Shreves
Sound Design: Javier Piñón
Projection Design: Joshua Heming
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